Chavara Parukutty, who fought heavy odds to be a top performer, is no more

Chavara Parukutty, one of the first women to break into the male bastion of Kathakali, passed away here on Thursday following a prolonged illness. The veteran artiste was 75.

A woman who challenged the status quo in art much before the world caught up, Chavara Parukutty had to navigate her way through the barriers of caste and patriarchy in a career spanning six decades. At a time Kerala’s signature dance drama was still attached to the strings of aristocracy, she bravely forayed into a field that held no promises for a women. And Parukutty not only chose an art form which allowed little scope for a woman to have a successful career, but made great strides in that paving the way for many others.

Coming from a modest goldsmith family, classical dance was totally inaccessible to Parukutty as a child. She, along with a friend, used to stand outside the local dance troupe Leelamani Nrithakalalayam and observe the artists dance. Later, the wide-eyed girl was made a member of the group. She was drawn to Kathakali soon, but the only women who took any interest in the complex art were from elite families and for them it was more of a recreational activity. It took Parukutty some time to find her first guru Muthuvilakkad Gopala Panicker and then started a lonely expedition to a male-dominated terrain.

Parukutty made her debut during her pre-university years and in the initial years she was relegated to irrelevant roles as the art circuit tried to exclude her. Though she joined Poruvazhi Sreekrishnavilasm Kaliyogam and started doing major roles, festival brochures carried her name in the smallest font and sometimes even missed it.

But she eventually emerged from the shadows and made her way to the top, often sharing the stage with doyens like Kalamandalam Gopi. She could definitely save herself from being a name lost in obscurity, but stardom and glory always evaded her. While male artists of the same stature roamed the world, foreign stages remained out-of-reach for her and no major honour came her way.

Undaunted

It wasn’t an easy journey as a women artiste and single mother, but even deteriorating health or her lonely last days couldn’t break her spirit. Parukutty, the consummate artiste she was, lived for her art and even on her deathbed she must have dreamt of noting but the next arangu.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Navamy Sudhesh / Kollam – February 09th, 2019

Bonhomie marks the release of C.T. Thankachan’s book, Veenju

In his late fifties, C.T. Thankachan has done several odd jobs to earn a living. After failing in Class 10, he worked as a coolie, was a tuition teacher representative, sold green grocery, was a project manager, a lodge manager, contract labourer at the Cochin Shipyard and also a freelance journalist.

He pioneered local television news reporting in rural Kochi and eventually became a local cable channel’s news editor. Then he ran a small restaurant offering ‘homely meals’ before becoming a support staffer of former Union minister K.V. Thomas. From the late-1980s, small jottings of his began to appear in journals and lately, in online journals.

On Sunday, a fairly large crowd of his friends gathered at a nature-friendly restaurant near Valanjambalam to release Mr. Thankachan’s first book, Veenju(Wine), which he says captures the spirit of friendship of the 1980s. As was characteristic of the get-togethers of that decade, there was instrumental music, singing, and live sketching to liven up the informal session. In his preface to the book, Mr. Thankachan says he isn’t a writer.

He is a narrator who recalls his association with stalwart writers, intellectuals, painters and film-makers of that period.

The recollections start with an essay on the maverick intellectual M. Govindan, ending it with an assertion that even the most rebellious of intellectuals are forced into silence when confronted by their own children.

Mr. Thankachan’s world view took a turn for good and expanded after his chance arrival at the erstwhile Kalapeetom on Karikkamuri crossroads. That triggered in him a quest to read and understand the greatest of writers and artists. From the precincts of Kalapeetom, he ventured out with friends to strike a chord of friendship with the towering M.V. Devan, Madhavikkuty aka Kamala Surayya, G. Aravindan, John Abraham, Molly Kannamaly, Umbayi, Chintha Ravi, TR and the like.

A native of Palluruthy, Mr. Thankachan, as George Joseph K. says in his introduction to the book, fills the world with positivity and optimism. He stood in solidarity with the nuns who took to the streets against rape accused bishop Franco. There’s a mention in the book of the efforts taken by a group of friends, including him, to meet the treatment expenses of paralysed writer Thomas Joseph. He was also there to mobilise funds to construct a home for the family of the deceased artist Asanthan ‘Mahesh’.

Brought out by Vayanappura Publications, the book is priced at ₹110.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kochi / by Special Correspondent / Kochi – February 04th, 2019