{"id":2865,"date":"2015-03-29T15:26:04","date_gmt":"2015-03-29T15:26:04","guid":{"rendered":"http:\/\/www.thiruvananthapuramfirst.in\/?p=2865"},"modified":"2015-03-29T15:28:00","modified_gmt":"2015-03-29T15:28:00","slug":"exploring-theyyam-gods-own-dance","status":"publish","type":"post","link":"https:\/\/www.thiruvananthapuramfirst.in\/?p=2865","title":{"rendered":"Exploring Theyyam: \u2018God\u2019s Own Dance\u2019"},"content":{"rendered":"<p><strong>Kannur :<\/strong><\/p>\n<p>It was in 2012 that Portugal-based Russian painter Madina Ziganshina got to witness a couple of theyyam performances in Kannur. Its colour and religious fervor literally mesmerized her that the artist decided to do a series of paintings capturing the spirit of theyyam, which she likes to describe &#8216;God&#8217;s Own Dance&#8217;.<\/p>\n<p>A series of 15 paintings are on display at Brushman&#8217;s Art Gallery here till March 10. These watercolours are, in a sense, an outsider&#8217;s curious impressions of a ritualistic performance, its vibrance and unearthly ambience.<\/p>\n<p>&#8220;When I saw the performance where the theyyam jumped into the fire, I was astonished and even wanted to jump and perform along with him,&#8221; said the painter, who was enthralled by the transformation of man into god.<\/p>\n<p>There were lots of researches involved before embarking on the mission, including watching theyyam performances over the last couple of months in various kavus here, said Ziganshina. &#8220;The light, the dynamism of movement and the mesmerizing environment in the night air literally ignited my creative spirit which was later translated into these compositions.&#8221;<\/p>\n<p>&#8220;Though I was influenced by legends and Russian folklore as a child, which later influenced my works too, those experiences were all through books while here, I got the chance to come face to face with the God&#8217;s own dance,&#8221; said the artist, who is here on an invitation by Travel Kannur, a firm promoting cultural tourism.<\/p>\n<p>Though Ziganshina&#8217;s works is a merger of different styles including impressionism, abstraction and hyper realism, here she prefers to stick to realistic figuration to express a &#8216;magically realistic&#8217; performance.<\/p>\n<p>But rather than the momentum and vigour of theyyam, it is a stillness that is reflected in most of these works. Some of them appear like the frames seen through the viewfinder of a camera.<\/p>\n<p>Still, there is a beauty of craftsmanship in these compositions that are narratives of a colorful ritual with a soul of fire.<\/p>\n<p>Ziganshina, who has exhibited her works in many countries including the US, France, Germany, Italy, Holland, Sweden, and Dubai, plans to take &#8216;God&#8217;s Own Dance&#8217; to other towns in Kerala in the coming days.<\/p>\n<p>source: http:\/\/www.timesofindia.indiatimes.com \/ The Times of India \/ Home&gt; City&gt; Kozhikode \/ by P. Sudhakaran, TNN \/ March 07th, 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kannur : It was in 2012 that Portugal-based Russian painter Madina Ziganshina got to witness a couple of theyyam performances in Kannur. Its colour and religious fervor literally mesmerized her that the artist decided to do a series of paintings capturing the spirit of theyyam, which she likes to describe &#8216;God&#8217;s Own Dance&#8217;. A series &hellip; <a href=\"https:\/\/www.thiruvananthapuramfirst.in\/?p=2865\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Exploring Theyyam: \u2018God\u2019s Own Dance\u2019<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,19],"tags":[],"class_list":["post-2865","post","type-post","status-publish","format-standard","hentry","category-artsculture-entertainment","category-world-opinion"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=\/wp\/v2\/posts\/2865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2865"}],"version-history":[{"count":4,"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=\/wp\/v2\/posts\/2865\/revisions"}],"predecessor-version":[{"id":2869,"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=\/wp\/v2\/posts\/2865\/revisions\/2869"}],"wp:attachment":[{"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2865"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2865"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.thiruvananthapuramfirst.in\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}