Category Archives: Arts,Culture & Entertainment

Portuguese epic on Gama gets Malayalam version

VascodaGamaKERALA12aug2016

Kochi :

Keralites are familiar with the arrival of Portuguese sailor Vasco Da Gama in India in the 15th century and history of trade relations between both countries. But so far they missed out on the Malayalam version of an epic Portuguese poem, Os Lusiadas, depicting the hardships and travails faced by Gama and his crew during their voyage to India.

Keralites can now access the translation of the epic poem in their mother tongue thanks to C J Davees, a lecturer in Thrissur. “The Malayalam version, Epic of Lusiadas’, launched in Kochi few days ago, will also shed light on African and Indian life in the 15th century. During the voyage, Gama had touched Africa and had taken a person from Malindi as his guide.

“The poem explains all these minute details,” said Jerald D’souza, secretary of Indo-Portuguese Cultural Centre, Cochin. The epic written by Luis Vaz de Cameons in Portuguese narrates the difficulties faced by Gama and his team during the 10 month voyage.

The poem, written in Homeric style has 10 chapters. The seventh and eighth chapters speaks about his arrival in Kozhikode. The poem was first published in 1572.

“Camoens had visited India after the arrival of Gama in Kappad. He interacted with people and sought help of Alvaro Velho, who wrote a diary during his voyage with Gama to India. In the poem Gama has been presented as a hero. We can witness the influence of Greek mythology in the poem, which is like Odyssey and Iliad of Homer,” Gerald said.

The original poem was written in 8,869 lines in Ottava Rima that has rhyming stanzas of 10 syllables in each line.

“The rhyme scheme used in the poem was ABABABCC,” Davees said.

“I translated the poem in prose form as I knew there may not be readers for the poem. I took five years to translate the poem word by word. The translated book is around 400 pages long,” he said.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Kochi / T C Sreemol  / TNN / August 12th, 2016

‘Sanchari’ online community – Chasing history

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Tiruvananthapuram :

With over 2,00,000 members, Sanchari is an online community that encourages people to share travelogues, provide tips and find enjoyable-yet-pocket friendly touring destinations.

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This weekend, the community’s Kochi faction is organising a boat tour centred around the 3,000-year-old port town of Muziris, which, prior to being destroyed in the 14th century by a flood, was India’s lifeline to over 30 countries. “This day-long tour will appeal to both history buffs and tourists. We’ve curated a list of 10 iconic places to visit (think Paravur Synagogue and Gothuruth), after consulting with popular blogger, Manoj Ravindran aka Niraksharan, who authored India’s first augmented reality travelogue (in Malayalam) titled Muzirisiloode,” explains Unni PG, one of the organisers.

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Journey back

Hop on board to explore the relics of a bygone era—some still in ruins, while others are in the process of being restored by the Kerala Government. Spot the remains of the strategically significant 493-year-old Kottapuram Fort, where the Dutch, British, Portuguese and even Tipu Sultan waged war. Or walk through the ancient secular village of Kottayil Kovilakam where a Syrian church, mosque, temple and Jewish synagogue existed in close proximity. “It’s not just monuments and museums, we will also visit the home-turned-cultural centre of famed social reformer Sahodaran Ayyappan,” concludes Ravindran, who’s currently working on the English translation of his Muziris travelogue. I700 onwards. Sunday, from Paravur Synagogue, at 9 am.

Details: 9633801068.

source:  http://www.newindianexpress.com / The New Indian Express / Home> Cities> Thiruvananthapuram / by Anoop Menon / August 05th, 2016

Doors open to tales of a century

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There is a room in the 120-year-old Kavalaparambil family home at Konthuruthy, Thevara, whose walls have heard the first cries of seven newborns. The non-descript little room bears the enormity of the seminal births in the quiet elegance of a polished four poster bed, a chest of drawers and a cupboard that came as dowry. It is positioned at the centre of the house and is the coolest room.

Of the 10 family children who grew up in the large and spacious house, it has come to be in the hands of the youngest, Sash George, Applications Development Manager, Microsoft in Dallas, Texas.

In its romantic vicissitudes the house saw many changes, faced many hard and happy times and has opened as a service villa replete with tales of a century.

Sitting over old style tea service in a western style open kitchen, a later day addition, savouring traditional vattappams and kozhukattas hark back to a time when this would have been the scene, decades ago, with children hovering over tea and hot snacks. Sash and his brother recount the frisson in the kalavara, the storeroom that was added on by their father. “It held a wooden trunk to store rice. My mother would have the snacks placed there and as children we would run to open the box,” says Sash. Today, the storeroom remains much the same but the kitchen has changed into an open one looking on to a wide corridor that loops the house.

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The area, before the family houses, three of them, came up, had several ponds, water bodies and was swampy. Mango trees grew in large numbers. There was a pond for bathing, one for drinking and one for fermenting coconut leaves. The house was built by Sash’s grandfather, Kochu Varkey, a man with a taste for fine living, as is seen by the art pieces he made on the walls. The house bears evidences of his artistry and of his faith.

Before the road came up to the house in 1976 and changed the entrance to the house, the main thoroughfare was the water body. Boats brought people up to the edge of the land on which stood the house. “When my grandmother’s arrival was announced a chair used to be put on the skiff and was sent to bring her,” says Sash who is in the process of collating photographs and incidents of yore “for the sake of the future”. If one ventured to arrive at the house on land it was through 16 or 17 turns, says Sebastian, Sash’s older brother, a former Sr. Manager with LIC and one who takes care of the house after it opened itself to hospitality.

Much of the grandeur of the house comes from its simple architecture, a fusion of European and traditional style. It was one of the few two-storied houses in Ernakulam in its time. Two rooms atop two rooms encircled by breeze ways or wide corridors remains its main form. Rooms were added, but not ad-hoc, to the house, as realities changed. The area around was paved. Earlier, the house had no attached bathrooms and these were added as European habits replaced traditional lifestyle. A shed with cows was a sign of wealth and it existed for a long time. The area was quiet and wooded. Sounds and sightings of birds and tree animals were common. As the family grew and moved away the house was closed down for nearly eight to 10 years, until Sash, nostalgic and faraway in America, decided to bring alive his heritage.

“The family elders used to talk so often about a flood that saw the verandas of the house accommodate the affected people. It was called the flood of 99, in the Malayalam year. There are lots of memories around this house,” he says.

Today, memories arise from the preserved utensils and objects, from the shiny brown baby cot, the inscribed wooden bowl, old doors, measuring bowls, trunk, vase, jars and such. A photograph of Kochu Varkey hangs with pride. The delicately restored house has now all modern facilities in the new wing with two rooms and attached baths.

In its new mode, Kavalaparambil, now Lake County Heritage Home, offers guests the best of both worlds, the delicately preserved past and the swiftly changing present.

source: http://www.thehindu.com / The Hindu / Home> Features> Metroplus> Society / Priyadershini S / Kochi – July 29th, 2016

Pope names 2 bishops for expats in Europe

Syro-Malabar Church head Mar George Cardinal Alencherry adorning episcopal insignia with Msgr Stephen Chirapanath who has been appointed Apostolic Visitator to Europe. Fr Joseph Srampickal (R) who has been appointed Bishop of the newly-formed Syro-Malabar Church diocese in Britain looks on, in Kochi on Thursday | Albin Mathew
Syro-Malabar Church head Mar George Cardinal Alencherry adorning episcopal insignia with Msgr Stephen Chirapanath who has been appointed Apostolic Visitator to Europe. Fr Joseph Srampickal (R) who has been appointed Bishop of the newly-formed Syro-Malabar Church diocese in Britain looks on, in Kochi on Thursday | Albin Mathew

Kochi :

Pope Francis has appointed two new bishops for expatriate Syro-Malabar Christians in Europe. Fr Joseph Srampickal of the Pala diocese has been appointed bishop of the newly-formed diocese in Britain, while Msgr Stephen Chirapanath of the Irinjalakkuda diocese has been appointed apostolic visitator to the whole Europe.

The announcement in this regard was made on Thursday simultaneously at Mount St Thomas, headquarters of the Church, and in Vatican.

Pala Bishop Mar Joseph Kallarangat, Irinjalakkuda Bishop Mar Pauly Kannookakadan and Ernakulam-Angamaly Archdiocese Auxiliary Bishop Mar Jose Puthenveetil were also present. After the announcement, Syro-Malabar Church head Mar George Cardinal Alencherry adorned the bishop-elects with episcopal insignia.

Born to Srampickal Mathew and Elikutty of Urulikunnam under the Pala diocese, Fr Srampickal had his seminary formation at the Good Shepherd Seminary, Pala, and pursued philosophical studies at St Thomas Apostolic Seminary, Vadavathoor. Fr Srampickal was ordained priest on August 12, 2000, by Bishop Joseph Pallikkaparampil.

He had his schooling at Valiyakottaram LP School, St George’s UP School and St Joseph’s High School Vilakumadam.

Later, he pursued Pre-degree and PG at Pala St Thomas College, and went on to pursue BEd and MEd. In addition, he secured Masters Degree in Oriental Theology from Oxford University. He had served as teacher at the Eparchial Minor Seminary, Pala; Mar Ephrem Formation Centre; and Pala St Thomas Training College.

He is the founder-director of Cherpunkal Mar Sleeva Nursing College and Mount Nebo Retreat Centre, Wagamon. He had also served as secretary of the Eparchial Medical Education Trust, Pala, and as secretary to Bishop Mar Joseph Kallarangatt. Later, he was appointed vice-rector of the Pontifical Urban College De Propaganda Fide, Rome.Fr Srampickal had pastoral ministry at St Alphonsa Parish, Kankanady, Karnataka, and in England during his studies.

Fr Stephen Chirapanath, who has been appointed the apostolic visitator for Europe, has been serving in Rome as the procurator of the Major Archbishop of the Syro-Malabar Church and coordinator  for the Syro-Malabar faithful in Italy for the last five years. He is also a member of the Presbyteral Council of the diocese of Rome, representing priests serving migrant communities from different countries.

Msgr Chirapanath was born to Kavalakkattu Chirapanath Paul and Rosy on December 26, 1961, at Puthenchira under the Irinjalakkuda diocese. After schooling, he had his minor seminary formation at St Mary’s Minor Seminary, Thope.

He pursued philosophical and theological studies at St Thomas Apostolic Seminary, Vadavathoor. He was ordained priest  on December 26, 1987, by Bishop  Mar James Pazhayattil.

After ministry as assistant parish priest at St Mary’s Forane Church, Chalakudy, and St Joseph’s Church Aloor; and Father Prefect at St Paul’s Minor Seminary, Msgr Chirapanath was sent to Rome for higher studies. He secured Doctorate in Moral Theology from Alphonsian Academy under the Lateran University.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Kochi / by Express News Service / July 29th, 2016

The Malabar River Festival is back!

The excitement in the air is almost palpable. Fuelled by large doses of adrenalin and adventure quintessential to extreme sports, spectators are gearing up for the popular Malabar River Festival in Kerala.

In its fourth edition, the festival will be held this month at Kondencherry, near Kozhikode.

Scheduled to take place from July 28 to 31, the competition, organised on behalf of Kerala Adventure Tourism Promotion Society by the Kerala Kayak Academy and Bengaluru-based Madras Fun Tools, will see athletes vie for the total cash prize of Rs. 5 lakh in categories that include BoaterCross, Downriver time-trial and Slalom.

The number of events this year has seen a slight dip. There may be around 60 events compared to the 110 held last year, said Manik Taneja, CEO of Madras Fun Tools.

Also missing from the event will be a big team of Olympians with the mega-sporting event scheduled to be held in August.

However, the event will see the participation of more female participants (10) compared to the usual average of five, mostly from India, UK and Italy, Mr. Taneja said.

For further details about the Malabar River Festival, visitwww.malabarfest.com.

The fourth edition of the event will be held at Kondencherry, near Kozhikode, from July 28 to 31

source:  http://www.thehindu.com / The Hindu / Home> News> Cities> Bengaluru / by Staff Reporter / Bengaluru – July 26th, 2016

Book throws light on little-known facets of Manonmaniam Sundaram Pillai

The cover of a new book on Pillai.
The cover of a new book on Pillai.

The author of Tamil prayer Neeradum Kadaludutha was a philosopher, historian and epigraphist

He is known as the author of the Tamil prayerNeeradum Kadaludutha , which is part of his verse drama ‘Manonmaniam’. But few people know that P. Sundaram Pillai was a philosophy professor at the Maharaja’s college in Trivandram for over 15 years and the work was dedicated to Robert Harvey, Professor and Head of the Department of the College.

Sundaram Pillai, who died at the age of 42 in 1897, was also a historian, an epigraphist and a government official who held the post of Commissiones of separate revenue.

“He dedicated his work to Dr. Harvey as it was he who had recommended the appointment of Sundaram Pillai in his place after he decided to leave for England. He had even named his house as Harverypuram,” said A.K. Perumal, whose new book Manonmaniam Sundaranarin Innorupakkam (‘The other side Manonmaniam Sundaram’, NCBH), throws light on the multi-faceted personality of the author of the Tamil prayer.

‘Manonmaniam’ has its roots in Lord Litten’s ‘The Secret Way’, which was part of the collection of ‘The Lost Tales of Miletus’.

It was made into a film by Modern Theatres in 1942. The prayer song was set to music by late M.S. Viswanathan, but M. Karunanidhi, the then Chief Minister, deleted a few lines.

Sundaram Pillai’s family was from Kalakadu in Tirunelveli district and moved to Alapuzha in the 18th century.

“He had studied Tamil in school. It is not clear how he had learnt Tamil literature in Kerala even though he was in touch with great Tamil scholars of his time, including U.Ve. Swaminatha Iyer and C.V. Damodaram Pillai,” said Mr. Perumal.

When he was the principal of the MDT Hindu School he learnt Saiva Siddantha from Kodakanallur Sundara Swamigal and held a long discussion with Swami Vivekananda during his visit to Kerala.

As the Commissiones of separate revenue, the temple management was under his control and it came in handy for his research on epigraphs.

“As a historian he established with substantial evidence that Saivaite saint Thirugnana Sambandar belonged to 7th century and his English essay on the subject was published in the journal of the Madras Christian College. He also wrote an early sovereign of Travancore, an in-depth study of Travancore history,” said Mr Perumal, who has collected the essays.

Lost letters

“Unfortunately, we are not able to get many of his letters and photographs. Since he was a Congressman, police seized many documents from his residence, including his correspondence with Swami Vivekananda. They are lost permanently,” said Mr. Perumal.

‘He was in touch with great Tamil scholars of his time, including U.Ve. Swaminatha Iyer’

source: http://www.thehindu.com / The Hindu / Home> Cities> Chennai / by B. Kolappan / Chennai – July 24th, 2016

Mar James Pazhayattil laid to rest

Final journey:The body of former Irinjalakuda Bishop Mar James Pazhayattil being taken in a funeral procession through Irinjalakuda town on Wednesday.— Photo: K.K. Najeeb
Final journey:The body of former Irinjalakuda Bishop Mar James Pazhayattil being taken in a funeral procession through Irinjalakuda town on Wednesday.— Photo: K.K. Najeeb

Body of former Irinjalakuda Bishop Mar James Pazhayattil was laid to rest at Irinjalakuda Cathedral in the presence of thousands of devotees.

The fist bishop of the Irinjalakuda diocese died at 10.30 p.m. on Sunday following liver diseases.

Major Archbishop Cardinal Mar George Alencherry and Thrissur Archbishop Mar Andrews Thazhath led the funeral functions.

Special prayers were also held.

“Mar Pazhayattil led a simple life. His life was a role model for everybody,” said Cardinal Alencherry.

Bishops of various dioceses, hundreds of priests and sisters participated in the function along with thousands of devotees.

The body was taken in a funeral procession through Irinjalakuda town before it was laid to rest at the special tomb inside the cupola in Irinjalakuda Cathedral.

A remembrance meeting was held in the evening.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by Staff Reporter / Thrissur – July 14th, 2016

Tributes paid to Kavalam

The Moozhikkulam Sala paid rich tributes to the departed doyen of indigenous folk theatre, Kavalam Narayana Panicker, with a music night in which musicians of varying age groups took part.

Nearly 30 singers belonging to three generations took part in the event organised by ‘SwanthamGanam’, a Whatsapp group, at Moozhikkulam near here.

Among the songs rendered were those written by Kavalam, ONV Kurup and Sreekumaran Thampi.

Beginning with the hugely popular ‘Karukare Karmukil…’ and the effervescent ‘Aalayaal thara venam…’ penned by Kavalam, the singers also crooned the lullaby ‘Pattupadi Urakkam Njan…’

‘Hrudayasarasile…’, ‘Thamara Kumbilallo Mama Hrudayam…’, ‘Tharum thalirum…’, ‘Odakkuzhal vili…’, ‘Ariyathe ariyathe…’, and ‘Avidunnen ganam kelkkan…’ were rendered by singers with commendable dexterity and ease.

The rendering of ‘Pushkara vilochana…’ from Kuchelavrutham Kathakali provided an altogether different experience.

Singers Latha, Indu, Sheeba, Harish, Jinesh and Sreeraj led the musical night.

source:  http://www.thehindu.com / The Hindu / Home> News> Cities> Kochi / by Special Correspondent / Kochi – July 02nd, 2016

‘India is Hollywood’s VFX capital’

Thiruvananthapuram:

Terminator 2, Harry Potter and the Deathly Hallows and X-Men: First Class are all top Hollywood productions and what sets these movies apart are their perplexing visual effects (VFX). The man credited for leading the VFX team behind these movies, and many others, Michael Karp, held a session on the visual effects trends in Hollywood and Bollywood here on Saturday. The session was jointly organized by the Kerala Chalachitra Academy and Toonz Animation Academy.

The VFX expert, who has been part of several VFX-centric movies like Titanic, Batman vs Superman and Hunger Games, has been residing in India for the past three years. “India has evolved to become a centre for all of Hollywood’s VFX needs. Availability of talented yet cheap labour has prompted producers to shift almost all animation activities to India. Most Hollywood movies are now animated in India,” said Karp. VFX work for a film which may cost $100 million in the US, could be made at a staggeringly low cost of $10 million in India without compromising on the quality, he said.

“There was a time when the quality of VFX facilities and talent available in India was inferior to what Hollywood has to offer. But the budget available for doing Bollywood movies are high nowadays and therefore movie makers do not have to compromise on quality,” Karp said. Asked about the quality of the animation training institutes in India, he said that though there are some which offer top notch training, majority fails to impart necessary skills required to work on Hollywood films. All VFX studios have their own in house training facilities that sculpture inductees to levels they require.

Though the movie industry is big and despite several VFX work of Hollywood movies now being done in India, Karp said only the ‘cream of the crop’ gets to work with the best studios in the country. “There are about 10,000 or 20,000 people making movies for billions of others. Therefore the rate of employment generation in VFX remains relatively low despite the industry’s large size,” Karp said.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Thiruvananthapuram / TNN / July 10th, 2016

Teacher, storyteller, iconoclast

K.G. Subramanyam: Forever creative. Photo: H. Vibhu / The Hindu
K.G. Subramanyam: Forever creative. Photo: H. Vibhu
/ The Hindu

K.G. Subramanyan was 92 when he passed away this week, after a magnificent innings lived and shaped with fierce energy, drawing in his wake some of the country’s greatest modern artists

For some, he was the greatest of teachers. For others, he was the doyen of modern Indian artists forever breaking out of fixed categories and emerging moth-like from multiple cocoons. To some, he was a storyteller re-inventing old myths but cladding them in new forms. Often, he could be disturbing, as he poked at the ant hills of convention with his painterly brush and unearthed the termites of hidden lusts lurking within. But one thing that made K.G. Subramanyan the great spirit he was, through his long life of 92 years, was that he always remained an artist; tending the creative force within and nurturing those who came in touch with him.

To those associated with him during the most creative period of his early life, when he fled to Santiniketan (1944-50) and had that moment of revelation when he met the guardians of Tagore’s vision, Nandalal Bose and Ramkinker Baij, at Kala Bhavan, the arts department of Visva-Bharati University, he was always Mani da, an honorary Bengali. For those who met him in later life, swathed in multiple layers of raw silk and cotton in muted colours, he was an apt representative of that austerely elegant school initiated by the Tagorean ethos.

Only some sources mention that Subramanyan’s early influences were those of his native place, Mayyazhi, or Mahe (as it was known in North Malabar), a French protectorate. North Malabar is famous for its living performance traditions of sacred dances, where the dancers, all men, paint their faces and adorn themselves with fantastical costumes made from palm fronds and sheaths, turning into supernatural beings. Some of Subramanyan’s paintings of luridly painted faces and women with exaggerated appendages bring to mind these terrifying manifestations.

There is also a very keen element of making fun of authority that is seen in Kerala that may be observed in Subramanyan’s often pointed caricatures of human interactions, particularly between men and women in moments of erotic congress. In these, he emerges as a ‘trickster’, a bahurupi who changes form continually to both entertain and enrage viewers. The artist here wields the brush like a missile, to taunt society.

K.G. Subramanyam's ‘Woman Before Mirror’. / The Hindu Archives
K.G. Subramanyam’s ‘Woman Before Mirror’.
/ The Hindu Archives

Nothing is quite as it seems. It’s this enigmatic quality between the surface of his calm, almost placid, palette of colours sometimes carefully coordinated like those of a fashion designer, and their desire to provoke, that makes Subramanyan’s work full of surprises. Equally, of course, they reflect his close observation of images from contemporary cinema, advertisements and life, as he recorded them in all their curious anecdotage. To him, the great epic dramas tended to be repeated in the events that unfolded around him in everyday life.

Or, as he observed in response to questions about the recurrence of certain motifs in his work, whether painting on wood, glass, paper or a wall, or sculpting sectioned portraits in terracotta like the storied facades of temples in parts of West Bengal; whether illustrator or toy-maker: “We have our own little obsessions. And they may be continuous. But not enough to become a goal. At least a grand, steady goal. Really speaking, I don’t want any more goals and challenges. If the little things I see around excite me and link up into stories of a king, that is good enough.” (Quoted in The Flamed Mosaic by Neville Tuli.)

Long before Santiniketan, Subramanyan had enrolled at Presidency College, Madras, and taken part in the freedom movement as an ardent follower of Gandhi and been jailed for a short while. In the early 60s, he spent some time in New Delhi, both teaching and learning; he had his first brush with Baroda, which would become his second and, later, his spiritual home for two decades (1951-55 and 1961-80); he learnt the nuances of emerging art trends of the mid-20th century at the Slade School in London (1955-56); and worked at Weavers’ Service Centre in Bombay (1957-61).

A great teacher is known by the quality of those who come after him. In Subramanyan’s case, the period in which he lived and worked in Baroda created the ferment in the contemporary Indian art scene, with the dominance of the Baroda School, which produced many greats. Many of these artists have emerged as the conscience-keepers of their generation. In that garden of light and shadows, there can only be one king. Long may K.G. Subramanyan’s aura continue to glow.

Geeta Doctor is a Chennai-based writer and critic.

source: http://www.thehindu.com / The Hindu / Home> Features> Magazine / by Geeta Doctor / July 02nd, 2016