Category Archives: Arts,Culture & Entertainment

LIVING SPACES – Regal glimpse of the past

Rama Mandiram / Photo: Nita Sathyendran / The Hindu
Rama Mandiram / Photo: Nita Sathyendran / The Hindu

Rama Mandiram is one of the last but proud remnants of a vast household complex in Vazhuthacaud

It was once the centrepiece of an expansive complex of buildings that was the home of N. Raman Pillai, son of Dewan Nanoo Pillai, and excise commissioner of erstwhile Travancore. Today, the 100-year-old Rama Mandiram, a double-storied mansion opposite the Freemason’s Hall in Vazhuthacaud, stands tall as a small but regal glimpse of a bygone era.

The relief of Goddess Lakshmi at Rama Mandiram / Photo: Nita Sathyendran / The Hindu
The relief of Goddess Lakshmi at Rama Mandiram / Photo: Nita Sathyendran / The Hindu

At first sight itself Rama Mandiram’s quiet grandeur takes your breath away and that’s despite the hugekannikonna (golden laburnum), the pride and joy of a well-manicured garden, obstructing the view of the house from the road. As you walk towards the well-maintained house, set at the far end of the property, the simple, columned portico draws your eye as does the traditional sloped, Kerala-style tiled roof and the four huge wooden windows, supported by wrought iron railings, which enclose the veranda upstairs. To the left, almost hidden behind the leaves of a tree, is a relief of Goddess Lakshmi, flanked by two elephants.

“I’m told that Rama Mandiram was part an ‘ettukettu’ (a traditional house with two central courtyards). Raman Pillai, known as ‘Tiger’, reared horses and there used to be a stable for them somewhere in the back of the compound, before it was all torn down to make way for buildings. This particular section of the complex was the men’s quarters,” says Mrs. Nair, great-granddaughter of Raman Pillai, who now lives in the house. She rents out the upper floor of the house, which has a separate entrance.

Her grandmother Madhavi Amma, one of Raman Pillai’s five daughters, inherited this portion of the house, which she then passed on to her son, Krishnan Nair, a doctor. “My sister and I were brought up in Chennai and so I don’t know much about the house’s history. It was only in 1969 that my father moved to the city and began restoring the house. Until then and for a time afterwards the house was given out on rent. During my grandmother’s time, I believe, it used to house an annex and hostel of the Government Women’s College. Later it was rented out to various government offices,” she explains. Mrs. Nair and her late husband, N.G.K. Nair, a geologist with the National Centre for Earth Science Studies, and their children, set up home in Rama Mandiram in the early 1980s.

Not much of alteration has been done to the house since her father’s times, claims Mrs. Nair. “He enclosed the downstairs verandah but retained the original wooden staircase,” she explains, pointing to a small but wide wooden staircase on the left side. The staircase is reminiscent of those in old Victorian public buildings that dot the city.

“A bunch of architectural students who visited the house suggested that it might be this wide because Raman Pillai used to hold court in his office here,” explains Mrs. Nair. The verandah leads into a spacious living-cum-dining room, dotted with vintage 1970s/80s furniture, and a high wooden ceiling. It has bedrooms and a small pooja room on either side. “Once upon a time, the pooja room used to be my grandmother’s brother’s meditation room,” says Mrs. Nair.

The bedroom on the left (with an old world four poster bed), in turn leads to what the family calls ‘the dark room,’ which still has an original tiled floor. “The dark room was the section of the house that connected the men’s quarters to the other areas. It once even had a separate entrance (over which the relief hangs) and has since been enclosed,” she says.

To the back of the dining room is the kitchen. “When the house was divided among the six children of Raman Pillai, this portion did not have a kitchen. So, my grandmother had one constructed. The house also has a cellar and a huge attic upstairs,” explains Mrs. Nair, rounding up the tour.

(A column on houses in and around the city that are more than 50 years old)

Documenting Kudumbis in pursuit of self-assertion

Book throws light on new generation of Kudumbis that is eager to ascertain its identity

History has not exactly been fair to the Kudumbis of Kerala, numbering about five lakh at the moment, says L. Subramanian, member of the Konkani literature board of the Kendra Sahitya Akademi who has introduced a forthcoming ground-breaking volume on the community written by scholar A. Vini.

No literature

“There’s hardly any literature available on the marginalised community that has over the centuries carved an identity for itself while fostering its own traditions and customs. They arrived in the State from Goa fearing execution in the hands of the Portuguese in the 16th century and settled primarily around temples in Alappuzha, Paravur, Tripunithura, Ernakulam and Kodungallur.

Impressed by skilled preparation of beaten rice, Travancore King Marthanda Varma took some 40 families to Thiruvananthapuram where they are settled at Oruvathilkotta. While there’s a whiff of modernity brought to the traditional attire of women these days, the community’s food habits, customs and dance retain their authenticity,” says Mr. Subramanian, a member of the community who has put together a lexicon of 2,000 rare Kudumbi words, proverbs with their meanings in Malayalam.

A. Vini, author of the book ‘Keralathile Kudumbikal: Charithravum Samskaravum’
A. Vini, author of the book ‘Keralathile Kudumbikal: Charithravum Samskaravum’

Dr Vini’s book, ‘Keralathile Kudumbikal: Charithravum Samskaravum’ [The Kudumbis of Kerala: History and Culture], focuses on the community in pursuit of self-assertion.

“They came accompanying the Gowda Saraswat Brahmins as their attendants, but earned the admiration of the Kochi Royalty by successful farming practices in tracts of marshy land. The internally-looking community still follows the old traditions brought along from Goa. Primitive rituals continue to have a place in their lives, but besides being good at making beaten rice and papad, they have inherited knowledge of certain medicinal potions,” says Dr Vini.

New generation

The book throws light on the new generation of Kudumbis that is eager to ascertain its identity. Mr. Subramanian says the aspirations of the socially and educationally-backward community have not been properly acknowledged. “While they got 1 per cent reservation in professional courses, the call for reservation in jobs has remained unfulfilled,” he says.

The book, to be brought out by National Book Stall, is slated for release before January 14 when thousands of Kudumbis gather at Kodungallur temple for the famous ‘thalapoli’.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kochi / by Special Correspondent / Kochi – November 12th, 2015

First corporate to fight polls sweeps Kerala panchayat

Kochi  :

A corporate group opened its account in an election in India for the first time when its political avatar, tackily named Twenty20, breezed into power in Kizhakkambalam gram panchayat in Kerala, winning 17 of the 19 seats. Congress and Social Democratic Party of India (SDPI) won the other two seats while the Left drew a blank.

Twenty20 became widely popular in Kizhakkambalam, a village situated 22km from Ernakulam, after Kitex Group, a textile major with a turnover of about Rs 1,000 crore invested around Rs 28 crore in two years to usher in unprecedented development in the panchayat and emerge as a credible alternative to the entrenched political parties in the area.

LDF workers celebrate their party’s win in the Kerala Panchayat elections in Kannur on Saturday. (PTI Photo)
LDF workers celebrate their party’s win in the Kerala Panchayat elections in Kannur on Saturday. (PTI Photo)

“The Left and UDF have been ruling the gram panchayat till now. However, they have done nothing for us. Today, Kitex Group gives us groceries at half the price. They constructed 458 houses and over 600 toilets for the poor, repaired public roads, conducted medical check-ups and sponsored surgeries. Under the leadership of Sabu M Jacob (chief coordinator of Twenty20, and managing director of Kitex), we selected our candidates, and carried out a phased campaign. The results speak for themselves,” said Biju Athanipparambil, an autorickshaw driver and Twenty20 executive member.

Twenty20 candidates contested against LDF, UDF, BJP, SDPI and independent candidates. According to figures released by the district administration, an unprecedented 90.5% of 24,300-odd voters turned up at the booths to cast their votes last Thursday. In the 2010 elections, the turnout was 84%.

Twenty20’s political opponents are not too convinced about the organisation’s professed aims, saying it is a cover for Kitex’s hidden business agenda. They also allege that Sabu Jacob is known for his autocratic ways and that Kitex Group has done precious little to stop pollution caused by its factories.

“Allegations against Twenty20 and Kitex Group are baseless. I am not an autocrat and this is not a facade. We have already decided to form a political party – Twenty20 Party – and have already approached the Election Commission for registration. We are here because people are fed up with political parties’ poll promises,” Sabu told TOI.

Sabu added that Twenty20 plans to carry out Rs 300 crore worth projects in the panchayat in the coming five years. They plan to rope in other companies for corporate social responsibility (CSR) activities apart from depending on the panchayat’s plan fund.

By noon on Saturday, Twenty20’s victory turned into a mega celebration in Kizhakkambalam village as women, children, businessmen, daily wage workers and a couple of doctors took out a procession accompanied by a noisy band. When an executive member of Twenty20 was asked who would become the panchayat president, he replied: “Sabu sir will decide.” Almost immediately, he revised it: “We will decide collectively.”

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Kochi / by Shyam P V,  TNN / November 08th, 2015

The Muse speaks from prison

Poems by ten people who were imprisoned during the Emergency.

The Emergency in 1975 has had many gruesome after-effects. But ‘Thadavara Kavithakal’ is one positive outcome of the times.

The anthology, the English translation of which is getting ready to be published soon under the title ‘Poems from the Prison’, consists of poems penned by ten people who had been imprisoned during the emergency for various reasons. It was their endless days in prison that unearthed the poets in most of them.

The anthology in Malayalam was first published in 1977, edited by Civic Chandran, one of the poets, and republished with extensive notes and memoirs in 2010. Some of the poems had been translated and used in various English anthologies over the time.

The cover photo of 'Thadavara kavithakal' the English translation of which is getting ready to be published.
The cover photo of ‘Thadavara kavithakal’ the English translation of which is getting ready to be published.

First time

This is for the first time an attempt was made to translate the anthology completely into English and published as one book.

Freshly translated by noted Malayalam poet K. Satchidanandan, with a foreword by Balachandran Chullikkad, the anthology carries 25 poems by ten poets, most of whom are still alive, while a few like Muhammed Ali and Udayabhanu have bid adieu to this world.

The remaining — M. Somanathan, V. K. Prabhakaran, M. M. Somasekharan, Das (Kuttikrishnan), C. K. Raghunath, Purushothaman, C. K. Abdul Azees and Civic Chandran –- are mostly still active as writers, theoreticians, editors and activists, having moved away from the Maoist ideology that had stirred them in the Seventies.

The poems are on diverse themes. ‘An evening note’ by P. Udayabhanu recalls the turbulent times when revolution was brewing across the country while V.K. Prabhakaran’s ‘The People of my village’ is about the unrest beneath the surface.

However, they are marked by certain recurring symbols such as storm and rain and the spirit of revolution.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Kozhikode / by Aabha Anoop / Kozhikode – November 04th, 2015

Designer Who Can and Enables

Joe Ikareth and his daughter with clothes designed by him.
Joe Ikareth and his daughter with clothes designed by him.

It was a heart-breaking moment for Joe Ikareth when his daughter Tilotama was born 10 years ago. Nerves that send signals from the spine to the shoulder, arms and hands were cut off, leaving her with limited mobility in her arms and a partially-paralysed right arm.

As Tilotama grew up, she proved to be an inspiration for her fashion designer father. Ikareth began to make clothes that she could wear easily. “I would design a dress with a larger arm area, and instead of a zip, I would use Velcro or a magnet,” says the 41-year-old.

Today, he is focused on making clothes for the physically challenged. He uses natural fabrics, like the Kerala handloom. “I plan to use material that will not get stained by liquid and will not need ironing,” he says.

Ikareth hopes to make the clothes economically viable for customers, but most of the 70 million physically challenged people in India are not well off. Hence, he will be tying up with NGOs and social service groups so that they can subsidise the garments. Clothes in the ‘Joe Ikareth’ label range from `2,750 to `9,500.

His differently-abled fashion line Move Ability Clothing is also gaining popularity in Europe. He was a finalist at the Danish Business Cup 2015, and in the top 25 at the NORDEN-Nordic Innovation Living Challenge at Copenhagen with his Danish partner Jeanette Kaeseler Mortensen. “Joe has exquisite technical skill and a strong creative competence,” says Mortensen.

Lakshmi Menon, a trustee of Kochi-based NGO Good Karma Foundation, calls Ikareth’s clothes “beautiful and elegant”. Mumbai-based marketing consultant Suranjana Ghosh Aikara, an above-knee amputee, says “clothes designed by him are functional and fashionable”. Her favourite is a pair of linen trousers. “It looks like a skirt, has a flexible waistband and is easy to wear,” she says. “Usually, there is wear and tear on clothes when you use a prosthetic leg. Jeans tear after wearing them about 15 times, but Joe has made two layers in the trousers, so it lasts longer.”

The designer wants “to help increase self-esteem and confidence of differently-abled people and change the way people perceive them,” he says. He is also designing uniforms for employees of hotels, hospitals and companies. For staffers of a new hospital in Kochi, Ikareth designed uniforms for nurses in colours that would be soothing for patients. “If you apply design and movement to a uniform, it becomes very interesting,” he says.

Ikareth graduated from the National Institute of Fashion Technology, New Delhi, in 1996. Thereafter, he worked with designer Suneet Varma for three years. “In the initial years, it used to revolve around the wedding season, with its kurtas, pyjamas and formal clothes,” he says. “Now it has become a huge business. A designer needs several assistants to make his creations and to meet deadlines.”

In 1999, Ikareth returned to his hometown Kottayam. He began getting orders right after he created his website joeikareth.com. The Cobblestone Gallery in Sussex, England, asked him to design clothes for plus-size people. Mohiniyattom danseuse Brigitte Chataignier of France, who has a dance studio in Shoranur in Kerala, asked him to make clothes for her troupe.

Ikareth has also worked with Kalaripayattu and Kathakali artistes. “I make dresses which are a balance between the traditional and modern,” he says.

source: http://www.newindianexpress.com / The New Indian Express / Home> Magazine / by Shevlin Sebastian / October 31st, 2015

Gopikrishnan Kottoor’s Book Released

Malayalam University VC K Jayakumar (left) releasing the book ‘The Nectar of the Gods’ by Gopikrishnan Kottoor (centre) by handing it over to RBI regional director Nirmal Chand on Wednesday | Manu R Mavelil
Malayalam University VC K Jayakumar (left) releasing the book ‘The Nectar of the Gods’ by Gopikrishnan Kottoor (centre) by handing it over to RBI regional director Nirmal Chand on Wednesday | Manu R Mavelil

Thiruvananthapuram  :

If your Malayalam is not good, it only means that your linguistic skills have not been used to their full potential, and do not in any way contribute to a better fluency in English, K Jayakumar, Vice-Chancellor of  Malayalam University, has said. He was speaking at the release of Gopikrishnan Kottoor’s book ‘Nectar of the Gods – King Marthanda Varma and Devasahayam’ at the Press Club here on Wednesday.

Applauding the chaste English employed by the author, the poet and former Chief Secretary said that writers like Gopikrishnan enrich Indian writing in English. He underscored the need to ensure proficiency both in English and Malayalam among our students. “For a writer, using English that is coloured by the influence of one’s mother tongue is like trying to escape the gravitational pull of the earth. Gopikrishnan has achieved this laudable feat,” he said.

‘Nectar of the Gods’ is Gopikrishnan’s twelfth book and is a play based on the little-known history of the execution of the Nair noble Devasahayam for converting to Christianity under the influence of the the Dutch naval commander Eustachius De Lannoy. Kottoor, a senior Reserve Bank officer, is the author of the book of poems ‘Vrindavan -The Coloured Yolk of Love’ and several other poetry collections and novels. He also founded and edited the poetry quarterly ‘Poetry Chain’ and currently edits the online poetry magazine undergroundflowers.com.

RBI regional director Nirmal Chand received the first copy of the book. S Adikesavan, Chief General Manager, SBT, shared his memories about growing up in Puliyoor Kurichi, where the play is set and which houses historically significant structures like the Udayagiri Fort and tomb of De Lannoy who was in the service of Marthanda Varma after being defeated by the king in the Battle of Colachel. C K Thomas, Deputy Director of Doordarshan Kendra, Thrissur, and Devi Prasad, General Manager, SBT, also spoke. The visual adaptation of two scenes from the play, shot by the author himself, was screened after the release.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Thiruvananthapuram / by Express News Service / October 22nd, 2015

Bishop Mani to be laid to rest today

The mortal remains of Bishop emeritus M.C. Mani, former head of the Church of South India, will be laid to rest at a specially constructed crypt at the CSI Cathedral, Chalukunnu, on Thursday noon.

Bishop Mani had died of age-related illness at a private hospital, near here, on Tuesday. His body was taken to his residence in the town on Wednesday where hundreds of people paid their last respects to the departed soul.

The funeral services will commence at 8.30 a.m. This will be followed by the Nagarikaanickalceremony. The last leg of the funeral service will commence by 11 a.m.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by Special Correspondent / Kottayam – October 22nd, 2015

A royal battle for votes in Tripunithura

Geetha Varma [CPI(M)], Urmila Varma (Congress), and Radhika Varma (BJP) will fight it out in a ward in the Tripunithura municipal election. Photo: Thulasi Kakkat / The Hindu
Geetha Varma [CPI(M)], Urmila Varma (Congress), and Radhika Varma (BJP) will fight it out in a ward in the Tripunithura municipal election. Photo: Thulasi Kakkat / The Hindu

Geetha Varma, Radhika Varma and Urmila Varma — all relatives — are battling it out against each other.

They might belong to the same family that once ruled this part of the State. But in this local bodies’ election, relatives are divided on political lines and they are battling it out against each other.

In ward number 38 of the Tripunithura municipality, Geetha Varma, Radhika Varma, and Urmila Varma, three members of the royal family of Kochi, have started running their campaign ‘‘from different floors of the same house.’’ And with the family members pitted against one another, the fight has turned exciting.

For the masses

Married to Ramesh Varma of Edoop Palace, Geetha Varma, a CPI(M) candidate, hopes to serve society at the grassroots. ‘‘The decision to contest was rather easier as I enjoy the support of both the family and the party to the maximum,’’ said Ms. Geetha, a known Kathakali artiste.

Radhika Varma, who recently retired as the head of the junior wing of Chinmaya Vidyalaya School here, said being in the BJP would help her continue with her social work. The daughter of the late Captain Kerala Varma, she looks forward to learn from the straight-jacket demeanour her father had exhibited all his life. “He led a service-oriented life and never gave room to the dirty politics all through,’’ she said.

The youngest candidate among the three, Urmila Varma, is the grand-daughter of Mangu Thampuran, the present Valiyamma Thampuran of the family. Having started her professional career as an HR trainer in Chennai, she has been involved in social work for a long time through an NGO. With her father Ravi Varma being an active Congress worker, Urmila’s name came up as a natural choice for the party.

‘‘Camaraderie in the family remains unaffected with political affiliations,’’ says Ms. Urmila.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by Shyama Rajagopal / Kochi – October 19th, 2015

Life, Literature Make for Absolute Films, Says Cinematographer Sunny Joseph

Thiruvananthapuram :

Observing lives and reading literature go a long way in making a film in its absolute form, said cinematographer Sunny Joseph at the valedictory ceremony of the three-day long second Padmarajan Documentary Short Film Festival held at VJT Hall here on Wednesday.

“Cinema is an art form most lapped up by youth. There is an overdose of film festivals as well. It spreads the wrong notion that having a mobile phone camera alone is enough to make a film. They should understand that a knowledge on life is essential for making a film and literature takes you to the lives of the lesser known,” he said. At the Kerala State Youth Welfare Board organised festival, he recollected his experiences with “Pappettan” on the sets of the movie ‘Arapatta Kettiya Gramathil’, where he had a 12-day stint with him. Radhalakshmi, wife of director Padmarajan, in her keynote address said those who pursue film-making should have a serious approach towards art. Film critic M F Thomas, cinematographer K G Jayan and film maker Santhivila Dineshan were present.

Winners

‘Soochiyum Noolum’ by Aneesh Kairali bagged first in the short film category. ‘Feet in the Sand’ by Krishnakumar and ‘Achanariyan’ of Saji Palamel came in the second and third positions.

In the documentary section, ‘Strokes of Nature’ by Faisal Muhammed got the first prize. ‘Vithachathu Koyyunnavar’ by Vinod T S and ‘Living the Green Dream’ of Sabil Krishnan emerged second and third. Priyan Prince’s ‘The Newspaper Boy’ received a special jury award. Best short film director is Aneesh Kairali and Faisal Muhammed was chosen as the best documentary film director.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Thiruvananthapuram / by Express News Service / October 15th, 2015

A recipe for success

Participants of the Kitchen
Participants of the Kitchen

By bringing together movers and shakers from different segments of the business world on a single networking platform, the Kitchen has become a go-to destination for entrepreneurs and businesses alike

It started out with a group of fifty-odd people meeting up at the rooftop recreational area of the Centre A business centre six months ago, with the aim of creating a platform for entrepreneurs, designers, businesses and people with an idea to get together and network.

Despite having plenty of start-ups and a lot of indigenous development, all the participants of the event agreed that Kochi did not have a space for all these people and businesses to come together and network. This gap is what entrepreneur Andrine Mendez sought to bridge when he gathered these people, a mix of different ingredients with flavours of their own, put them all in one place and called the gathering, Kitchen.

“The prevailing trend is that the business events space lacks a middle ground. The big companies meet up at a Confederation of Indian Industry (CII) meet and the startups have their startup weekends. But participating only in events geared towards one segment limits opportunity; so we came up with the formula of having 20 per cent big businesses, 40 per cent professionals, ten per cent from the investor community and the remaining 30 per cent consists of entrepreneurs, established and aspiring,” says Andrine, outlining the blueprint that the platform is based on.

This cross-segment nature of the event, where one is likely to find well-connected corporates as well as the upstart CEOs looking to build the next big thing, is what brings Jofin Joseph, one of the co-founders of Vibe, an app that collects publicly available information about people and businesses in one single profile, to the Kitchen. “I’ve been attending the Kitchen since its third edition, and its appeal is that you get to meet people from across the spectrum. For people like us, who have just started finding our feet, it is an opportunity to meet the established names and learn from them, broaden our horizons.

“But at the same time, we meet people younger than us as well, who we can help on some level too. This is beneficial for the new entrepreneurs, because every startup has to go through a learning phase, and events like this help accelerate that learning phase,” says Jofin.

Having recently completed its sixth edition, the Kitchen, which is usually held on the second week of every month, has seen its share of big names, such as Ernst & Young, Asset Homes, Muthoot Group and V-Guard.

The event is usually divided into casual networking sessions, a panel discussion, individual addresses, and even a time for entrepreneurs to make a pitch to investors. Among the speakers who attended have been names associated with a diverse spread of fields, ranging from finance, IT, app development and even virtual reality.

Brijeesh Mohamed, one of the partners of Waffle Street, believes that Kochi needs such gatherings to amp up the scale on which businesses and investors think. “All business starts from a contact. It is about reaching a point where you meet and interact with the right people,” says Brijeesh, who is among the newer entrants into the fold of the Kitchen. “In larger cities like Delhi, Mumbai and Bengaluru, such meet-ups happen every other week, and the scale of doing business is on a whole other level. The unfortunate problem we face here in Kerala is a lack of opportunity. If businesses here had the same opportunities that the ones in the other cities do, things would be different,” he adds.

Jofin explains that while youngsters can use the exposure to more experienced people provided by the event to their advantage, it is also an opportunity for established names to reflect on their own paths and give back to the community, a point that Andrine agrees with.

“This is as much an opportunity for big businesses to meet future market disruptors as it is a learning opportunity for the new start-up. One of the most welcome surprises for me in the past six months that we have hosted the event is how many women have participated, given the trend where such meet-ups tend to be male-dominated,” says Andrine.

With a tasty recipe established, Andrine reveals that the Kitchen has also been helping emerging businesses with skill sets they may lack, such as design, branding, marketing and sales. It will soon have Thiruvananthapuram and Kozhikode editions as well.

For more information, visit http://www.atkitchen.org/ or www.facebook.com/makesomethingnew.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Sooraj Rammohan / Kochi – October 15th, 2015