Category Archives: Arts,Culture & Entertainment

Book on Kerala’s Cultural Symbols Launched at KMB

Writer Sethu handing over ‘Virali Pattu, Valampiri Shankhu, Kannadi Bimbam’ to Biennale director of Programmes Riyas Komu. Artist Balan Nambiar and writer-journalist Jose Panachippuram are also seen
Writer Sethu handing over ‘Virali Pattu, Valampiri Shankhu, Kannadi Bimbam’ to Biennale director of Programmes Riyas Komu. Artist Balan Nambiar and writer-journalist Jose Panachippuram are also seen

For the past four decades, veteran artist Balan Nambiar has been researching on three key religious and cultural symbols of Kerala. Now, their key features found compilation as a book that was launched at a function at the ongoing Kochi-Muziris Biennale (KMB).

‘Virali Pattu, Valampiri Shankhu, Kannadi Bimbam’ was released at KMB ‘14 ‘History Now’ event last weekend, when writer Sethu handed over a copy of the multi-colour work to Biennale director of Programmes Riyas Komu. The book has been translated into Malayalam by writer-journalist Jose Panachippuram.

The tastefully published work looks at the history of the three iconic objects and their cultural and artistic evolution. The ‘virali pattu’ is a silk double ikat or Patola textile, which was traditionally hand-woven in Gujarat, Maharashtra and Karnataka. It has been used for centuries in Kerala as garments by priests, theyyam dancers and to clothe deities. Even in the kalam art portraying Bhagavathy, the goddess is depicted wearing the distinctive ‘virali pattu’ design.

“The weavers calculated the design through the warp and weft as if on a mental computer,” said Bengaluru-based Nambiar, who is a native of North Malabar.

“It was believed that silk cloth was unpolluted; so it was ideal for ritual use. Today, there are only five Jain families in Gujarat who still possess the weaving skills,” the 77-year-old artist noted at a function in Aspinwall House, the main KMB’14 venue, at Fort Kochi.

The ‘valampiri shanku’ is a sacred Hindu conch, in which spiral twists right when the spout is pointed up.  Nambiar, who is from Kannapuram near Kannur, has exhibited at the Venice Biennale, has used this and the ‘kannadi bimbam’ as inspirations in his many sculptural works, which have been exhibited around Europe and in India. The ‘kannadi bimbam’ is a metal mirror used as the deity in some temples in upstate Kerala, where devotees meditate upon their own reflection.

Sethu, also former chairman of the National Book Trust, suggested that the internationally renowned artist was giving back to his home-state through the book.

“It is sad that he has not got due recognition in Kerala, where none of his sculptures are exhibited,” he said. “But through this book, he is giving back stories of our tradition to our people.”

The evening ended with artist Shiva Shankaran rendering songs from the medieval ‘vadakkan pattu’ (ballads from north Malabar), which makes reference to the ‘virali pattu’ in the context of a baby’s cradle, and in the dressing up rituals of warriors’ Thacholi Othenan and Unniarcha.

source:  http://www.newindianexpress.com / The New Indian Express / Home> States> Kerala / by Express Features / March 27th, 2015

Take a sip, thumb through at leisure

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A few cafes have put up well-loaded bookshelves, but there aren’t many takers.

A leisurely hour or two spent over a cup of espresso and nibbling something while reading a book may recall images of a Parisian sidewalk café but that was what a few establishments in the city bravely attempted when they stocked up on books.

This was also to stand out from other hangouts where loud music and talk was the order of the day.

Something for all

City residents though are yet to warm up to the idea. Cherries and Berries at Cotton Hill has the usual Chetan Bhagat, James Patterson, John Grisham, and Jane Austens, but also J.D. Salinger and Gustave Flaubert for the serious-minded. Children can bury their noses in the adventures of Pinocchio. But only five or 10 people a day reach out for the books, says café employee Sheeja. Most people come in groups and for fun, she says.

Take them home

At Square One Homemade Treats, the shelf of books weighs light these days as customers can not only borrow books but also buy one if they so wish. Here too, only or two people a day sit and read at the outlet, says Prem G. Jacob, floor manager. “This is probably because we have only a few seats and are usually busy, which is not what those looking to sit and read here at leisure have in mind.” The shop plans to add to its collection soon.

Brewberry at Sasthamangalam has some 10-15 books, but few takers. “Most people just turn the pages, and then move on to the food,” says manager G.V.K. Nair. There are some who come in when the crowd is thin to spend long hours reading, he says. The magazines here are changed regularly, though the book titles remain the same, something that is not an issue at Cherries and Berries where people can take home books provided they leave one behind.

The comfort factor

At Café Sarwaa, which has some 60 plus books, the clientele mostly comprises groups or couples. Single people who are likely to linger over coffee and read something are few and far between. Some do come, but to work or make use of the Wi-Fi facility, say the owners. “Women, especially, need to feel comfortable in a café, with no one to disturb them.” Finishing a book in a café is not easy, they agree.

Takers or no takers, most cafés have no plans to dismantle the book shelf as yet.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Thiruvananthapuram / by R.K. Roshni / Thiruvananthapuram – September 15th, 2015

This year on, IFFK to host 15,000 delegates

Noted auteur Shaji N. Karun will be the director of the forthcoming edition of the festival.

Film festival to host 15,000 delegates; efforts on to become Asia’s largest

From this year onwards, there will be 15,000 delegates at the International Film Festival of Kerala, a good 5,000 more than the limit kept at present, Minister for Cinema Thiruvanchoor Radhakrishnan said.

A three-day workshop will also be held alongside the festival from this year onwards to facilitate interaction between international film personalities and those in the field from the State, Mr. Radhakrishnan told the media after holding discussions with representatives of film organisations in the State here on Monday.

A temporary open air theatre will be readied at Kanakakunnu Palace near the museum in Thiruvananthapuram in view of the increase in the number of delegates. The idea is to convert IFFK into the most widely-participated film festival in Asia, he said. Noted auteur Shaji N. Karun will be the director of the forthcoming edition of the festival, slated to get under way on December 4.

A book on yesteryear director Vincent that was curated by director Hariharan will be released at the fest.

Director K.G. George will be presented this year’s Masters Award instituted by FEFKA. Organisations from the film industry have come forward to sponsor awards in popular cinema segment in connection with the fest from next year onwards, the minister said.

The purpose of the fest is not just to facilitate film lovers to watch quality films, but also to ensure that those in the industry from the State also benefit from it.

“Workshops are organised from this year with this aim. The workshops will be centred on topics like screenplay, editing, direction and the like. Organisations in the film field will elect representatives for participation in these workshops.

Steering committees, comprising representatives of six organisations from the industry, have been formed to take a final call on topics at the workshop.

The committees will meet at Thiruvananthapuram on September 22.”

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by Special Correspondent / September 15th, 2015

Laurel for Keralite at speech contest

ManojKERALA09sept2015

A techie-turned-management consultant has made the capital city proud by become the first Malayali to achieve a podium finish at the recently held World Championship of Public Speaking, which is regarded the ‘Olympics of Oratory’, held in Las Vegas, USA.

Manoj Vasudevan, who hails from Kanjirampara, came third at the event organised at the Toastmasters International Convention, held in August. He represented Singapore where he has been residing since 1998.

Mr. Vasudevan delivered a speech titled ‘We Can Fix It’ before an audience of nearly 2,500 to figure among the toppers of the competition in which the contestants compete at various levels including club, area, district and global semi finals to reach the final round over a year-long process.

There were 10 speakers from the United States, India, Saudi Arabia, Canada, Sri Lanka and Singapore in the final round. The contestants delivered short speeches on wide-ranging topics.

Judging

The criteria used in judging include speech content, organisation, vocal quality and gestures. The country had another reason to cheer with a Chennai-based contestant, Aditya Maheswaran, coming second in the competition. Prior to migrating to Singapore, Mr. Vasudevan had completed his degree at the Government Arts College, Thiruvananthapuram, following which he pursued B.Tech. in Electronics and Communication at the College of Engineering, Thiruvananthapuram, from where he graduated in 1995.

During his early days in Singapore, he realised the importance of developing one’s communication skills. “Once we have landed our first job, a lot depended upon how one presented himself. Having faced such difficulties in my career, I took it as a challenge to master the art of public speaking,” he told The Hinduduring a telephonic conversation. There was need to create an awareness in this regard among the people of Kerala, particularly the youngsters. He has switched over from the technical field to focus on organising training programmes in public speaking. Mr. Vasudevan has gone on to coach individuals of 27 nationalities including CEOs, senior executives, professionals, managers, diplomats and celebrities.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Thiruvananthapuram / by Staff Reporter / Thiruvananthapuram – September 08th, 2015

On a mission to popularise an ancient art

KurupKERALA08sept2015

Varanattu Narayana Kurup, 71, straddles the ancient and the advanced with characteristic ease.

A doyen of Kerala’s ritualistic folk theatre Mudiyettu, he’s old-fashioned in relations and prefers hand-written letters to e-mail. As a flag-bearer of tradition, he’s a stickler for rules. But there’s a whiff of freshness in his outlook that belies fastidious traditions.

“While you have women temple attendants, why shouldn’t girls perform Mudiyettu?” he had asked in an interview to The Hindu a while ago.

Two girls are among the students learning percussion (chenda) from the maestro.

Nanu Kurup, as the master performer is known in the South Koratty neighbourhood where his Kizhakke Varanattu Mudiyettu Kalasangham is located, is now on a mission to popularise the shamanistic art among the youth. A well-designed website extols the contours of the art.

With the UNESCO inscribing the ecological theatre with ultramodern devices — comprising Kalamezhuthu (pictorial drawing of irate Kali using organic powders) followed by elaborate enactment of the battle between Goddess Bhadrakali and demon Darika with nature in the backdrop — on the list of intangible heritage of humanity, Kurup submitted a project, titled ‘Purappadu’, explaining ways to popularise Mudiyettu.

Using the grant extended by UNESCO through Kendra Sangeet Natak Akademi with donations raised from performances thrown in, he’s giving lecture-demonstrations across colleges in the State.

“We do Kalamezhuthu in traditional style as part of the presentation besides organising a show of costumes and gears used for Mudiyettu performance.

“Actual performance is also undertaken on demand. The goal is to take it to as many colleges and higher secondary schools as possible,” says Nanu Kurup.

The first of such full-scale performances was conducted at St Xavier’s College at Aluva.

A Mudiyettu performance and (right) Mudiyettu artist Varanattu Narayana Kurup.—File photos
A Mudiyettu performance and (right) Mudiyettu artist Varanattu Narayana Kurup.—File photos

Lecture-demos

Lecture-demonstrations have been given at several institutions including the University College and campus at Thiruvananthapuram; NSS College at Neeramankara; Namboodiri’s Institute of Higher Education at Irinjalakuda; Brahmaswom Madom at Thrissur.

“The reception has been encouraging. I feel privileged to be able to take the art to the youth,” he says.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by S. Anandan / September 08th, 2015

A childhood passion, feather-capped by a world record!

As a little girl, Sreeja Kalappurakkal loved collecting multi-hued feathers like most kids. But unlike others who gave it up over time, she never parted with her collection. The artist, whose paintings are also ‘feathery,’ has been an avid feather collector for the past 25 years, and has more than 500 varieties of pet bird feathers safe with her.

The collection has fetched her a world record now; the Universal Records Forum (URF) has titled her the world record holder for the largest collection of feather art, and also announced a global award for the same! Speaking to Kochi Times, the ‘feather girl’ from Nilambur, who recently conducted an exhibition of paintings ‘Luminous’ at Kochi, recounts her love story with her unique art work.

“I started gathering feathers when I was nine years old, like many kids of the age. But I never gave it up. I did nothing much even for preservation, other than occasionally drying them in the sun, dusting or perfuming,” explains Sreeja, who has feathers of birds ranging from that of various species of macaw and African grey parrot to that of the rare bird orange winged amazone.

Sreeja has never trained in art, but has tried a hand at everything artistic, from wood art to paper craft. She decided to conduct her first painting exhibition last year, encouraged by her friends. “It was held at the Lalithakala Akademi, Thrissur, and was themed flora and fauna. I expected negative comments, being a newbie at the cultural capital. But the positive responses were quite encouraging and I wanted to try something different for my next exhibition,” she recalls.

Meanwhile, one of her friends, a record holder herself, got the feather collection checked by an expert. “I was told that there is enough for a Guinness record and that was news to me! I thought of a novel mode of presentation and decided to try paintings with feathers,” she explains. Nevertheless, Sreeja got into the India Book of Records for the largest feather collection in March this year, while her efforts to put together some ‘feather paintings’ continued.

Sreeja does the background of a painting in acrylic and fixes the feathers on it. “I do as much as possible of a painting with feathers, and fill the rest with shapes and colours,” she explains.

Though she approached the Lalithakala Akademi with her feather paintings, Sreeja wasn’t allowed to present them as feather did not fall under the art material category at that point. “I guess it is because of the law prohibiting the collection of the feathers of wild birds. However, my collection solely consists of pet birds’ feathers and I got a chance to present it in a school in April this year. Upon noticing the tremendous response, the Akademi asked me to put in a request so that they can attempt a provision by the law,” Sreeja says. Her exhibition, which started off earlier this month at a mall in Edappally, has been attracting people in droves and out of the 30 odd feather paintings, Sreeja’s favourite is that of a dragon fly titled ‘Reach’. “It took me about two months to finish it and I have used 150 tiny feathers on this painting. I also love it for the theme — the urge to fly high,” she says.

The tremendous effort behind making a feather painting might go unnoticed as one gets immerses in the beauty of the works. “I have been blessed to have a couple of friends who help me find feathers through many sources. However, being soft and weightless, handling feathers is no easy task. You can’t even switch on the fan, and can do the work only in an air-conditioned room. The dust produced while cutting them can give you an allergy.”

Sreeja adds that she could not have done it all, if not for her ten-year-old son Maheshwar. “He helps me categorize them and fetches me good feathers from wherever possible. He even ensures that I don’t have to get up from my spot for anything at all, while working on a painting,” she says. Sreeja is married to Sathyan, a business man.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Kochi / by Deepa Soman, TNN / September 07th, 2015

He sweats blood to keep others happy

Jishnu Raj
Jishnu Raj

Kochi   :

When two-year-old Mohammed Altaf from Ooty was admitted to a city hospital for heart surgery on Monday, Jishnu Raj received a call in his mobile.

The request was something, which the 24-year-old, who is the Kochi area coordinator for Blood Donors Kerala, has become accustomed to by now. For, the hunt for blood donors in the city often ends with a call to this soon-to-be M.Tech graduate.

While everyone was enjoying a national strike-enforced holiday on Wednesday, Jishnu was busy arranging 50-odd blood donors, which for the youngster was a less hectic day! “I usually get 100-150 calls a day asking for blood donors,” he said.

He also found time to distribute food packets to the destitute under the Snehasadya campaign of We Help Kerala, a voluntary group engaged in charity and social works, of which he is an active volunteer.

Jishnu was drawn into the world of social work seven years back. When driven by the impulse to be a do-gooder, he mobilised youngsters at his native place Vengoor near Perumbavur by founding an organisation named the Vengoor Youths. It has since been active catering to the needs of the impoverished by pooling together the time and resources of its members.

He is also a link in finding organ donators and conducting awareness campaigns on the need to donate organs. He is also working in close association with Datri, the active blood stem donor registry in India. Thanks to the rapport he has built with doctors over the years, he often manages to hold medical camps, especially in areas lacking adequate health facilities.

Jishnu’s constant presence in the social media means that he has become the pointsman for non-resident Keralites looking out for local help. For instance, if someone in the Middle East needs a document back from home then he is the man to turn to. Driven by his guiding philosophy “youths are not useless but used less,” Jishnu believes that given a cause to work towards, youngsters who tread down the wrong path out of sheer idleness can be reformed.

M.P. Praveen

While everyone was enjoying a national strike-enforced holiday on Wednesday, Jishnu was busy arranging

50-odd blood donors.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by M.P Praveen / September 06th, 2015

Go, Get Your Stamp of Honour

Kottayam  :

Serving as a good gifting option for many, the ‘My Stamp’ facility of the Department of Posts (DoP) is now available in the district. Those who wish to personalise the postal stamp by adding their photograph, can avail of this facility now.

M Venkiteswaralu, postmaster general, Kochi Central Region, inaugurated the facility at a function held at the Head Post Office here on Friday. Assistant collector Divya Iyer was the chief guest.

According to postal authorities, My Stamp is the brand name for personalised sheets of Commemorative postage stamps of India Post. The personalisation can be achieved by printing a thumbnail photograph of the customer’s image, logos of institutions, images of art work, heritage buildings, famous tourist places, historical cities and wildlife.

A customer can get his image personalised through ‘My Stamp,’ for which an application indicating the choice of stamps should be submitted at the post office. The filled out order form along with the soft or hard copy of the photograph or selected image and ID proof will be accepted at the counter.

The cost is ` 300 for a sheet of 12 stamps. Applications from corporate customers will also be considered.

The facility is available at head post offices in Changanassery, Kanjirappally, Palai and other sub-offices in the district.

Customers can collect their sheetlets from the post office, where the order was placed. For those who desire delivery by post, the same will be dispatched by Speed Post at their own cost.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Kerala / by Express News Service / September 05th, 2015

Kerala Kaumudi photo editor passes away

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S.S. Ram, photo editor of Kerala Kaumudi , passed away here on Thursday. He was 47. He was under treatment for the past one week following cerebral haemorrhage.

Mr. Ram joined as a photographer in Kerala Kaumudi in 1996. He has covered various national and international events, including the Commonwealth Games of 2010, party congresses and film festivals. He has won several awards, including the Raveendran Nair memorial award for Best News Photographer presented by the All Kerala Photographers’ Association in 2014.

The body was kept for public viewing at the Thiruvananthapuram Press Club and at theKerala Kaumudi office and was later taken to his house at Sreekanteswaram. The cremation will be held at the Brahmana samudaya crematorium at Karamana at 10 a.m.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Thiruvananthapuram / by Staff Reporter / Thiruvananthapuram – September 04th, 2015

Hundreds pay homage to Raman Chakyar

The police pay homage to eminent koothu artiste Kidangur Raman Chakyar in Thrissur on Thursday.
The police pay homage to eminent koothu artiste Kidangur Raman Chakyar in Thrissur on Thursday.

Hundreds of people from various walks of life paid homage to eminent koothu artiste Kidangur Raman Chakyar.

Raman Chakyar died at his residence at Vallachira on Wednesday. He was 88.

Career spanning

52 years

Raman Chakyar, who started his career at 14, performed ‘Mantrankam’ koothu for 52 years at Annamanada Mahadeva Temple.

He had performed koothu in 40-odd temples. He was recipient of State government’s Nrutha Natya Puraskaram, Kerala Kalamandalam Award, Kendra Sangeetha Nataka Akademi Award and Tripunithura Kulasekhara Puraskaram. His body was cremated with State honours.

source: http://www.thehindu.com / The Hindu / Home> National> Kerala / by Staff Reporter / Thrissur – September 04th, 2015